Pa vi veste, da se 26. maja vrača Arrested Development?
http://en.wikipedia.org/wiki/Arrested_Development_(season_4)
http://en.wikipedia.org/wiki/Arrested_Development_(season_4)
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Uporabnik ynos pravi:
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Uporabnik ynos pravi:
Orphan Black
Je kdo gledal? Zelo dobre ocene.
http://www.tv.com/shows/orphan-black/
tv.com - 8.9
Pogledal prve 4 dele. Dobra.
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It’s so easy to be cynical when it comes to our entertainment. The past few years has seen a surge in reboots, remakes, revamps, retoolings, etc. While a few good projects slip by, the majority of them feel less like a creative revisiting of an older property and more like the result of some executives wanting to minimize financial risks with a recognizable name-brand. One could easily be convinced that NBC’s Hannibal is the latter—a soulless money grab playing on our nostalgia and love of the Hannibal Lecter series and all it’s psychological horror and gory glory. I’m happy to report, however, that Hannibal is not that show. In fact, it’s a beautifully shot, haunting and intelligent program—probably the best Hannibal Lecter-based property since Silence of the Lambs. Adapted for TV by Pushing Daisies and Dead Like Me scribe Bryan Fuller and boasting a pilot directed by 30 Days of Night filmmaker David Slade, Hannibal has prestige written all over it. The series serves as a prequel to the 1981 Thomas Harris novel Red Dragon, with Hugh Dancy’s brilliant yet troubled detective Will Graham (played by William Peterson in 1986’s Manhunter and Edward Norton in 2002’s Red Dragon) joining forces with the equally brilliant psychiatrist/secret people eater Dr. Lecter (Mads Mikkelsen) to pursue and capture serial killers. Dancy and Mikkelsen both (excuse the pun) kill in their roles and the show’s visual styling is alternatively gorgeous and nightmare inducing.—Mark Rozeman
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We’re living in the golden age of the TV anti-hero—viewers are well practiced in rooting for and sympathizing with characters who are ostensibly the bad guys. But The Americans takes this notion to a whole other level. This is the Enemy with a capital “E.” FX’s new series transports the viewer back to the ‘80s when the Cold War was at its height and makes two covert Russian spies the show’s protagonists. The genius of the show begins with its casting: Keri Russell and Matthew Rhys star as Philp and Elizabeth Jennings, a seemingly benign suburban couple who are actually KGB agents. That’s right; the show cast two TV stars from quintessentially American shows (Felicity and Brothers & Sisters) and made them ruthless, murderous spies. Russell and Rhys are giving the performances of their careers as they defy our expectations. And Noah Emmerich’s brings an eerie calm and palpable pain to the role of FBI Agent Stan Beeman. And it’s a thrilling ride. Nearly every week, alliances are tested, characters commit acts of unspeakable horror and others are killed off. But, at its heart, the show isn’t about the Cold War at all. It’s about marriage and family which serve as a constant undercurrent to all the spy shenanigans. After finishing up its first season on May 1, the drama will return for a second season next year.—Amy Amatangelo